music appreciation. Franz Liszt and Frédéric Chopin met in 

       A. Paris.   B. Prague.   C. New York.   D. Warsaw.

Answer:

THE ANSWER IS A

Explanation:

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This sculpture is called the Human-headed Winged Lion. It was intended to represent it represents the strength of the ruler it defended. the correct option is (a).

Sculpture is a type of art in which three-dimensional things are created out of hard or plastic materials.

The designs could take the form of free-standing objects, reliefs on surfaces, or situations like tableaux or ones that enclose the viewer.

The term "sculpture" does not always refer to a well defined group of things or activities. Instead, it is the term of an art that is constantly expanding its scope of activities and creating new sorts of items.

Therefore, this sculpture is called the Human-headed Winged Lion. It was intended to represent it represents the strength of the ruler it defended.

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Answer:

The answer is option A.

Explanation:

Antonin Dvorak came to America for the " American Sound." He concluded that America must establish its own musical identity by incorporating the unique elements of American and African American music.It enhances concentration, self- discipline, listening skills and social skills. It also has tremendous brain quality and helps develop memory, emotion and mood. It helps people develop skills, including time management, communication, patience and perseverance.

The examples of five words that contain the root or affix of the word “retrospect”, i.e., ''retro__'' include,

An affix can be referred to or considered as an element of English literature, wherein the formation or composition of a word is a combination of at least two parts. An affix is a rood of a meaningful word. Affix changes its meaning when combined to form a completely new word.

The words given above are considered to be the perfect examples of an affix, as all of them contain one common affix, i.e., ''retro'' and the meaning of each of the words is different and individual.

Therefore, the significance regarding five examples of an affix has been aforementioned.

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Dvořák's "New World Symphony" was influenced by his own interpretations of African American spirituals and concocted Native American music, introduced primarily through interaction with student Harry Burleigh.

The composition of Dvořák's "New World Symphony" was inspired by African American spirituals and Native American music. To incorporate these elements, Dvořák relied on B. his own impressions of their musical styles. He encountered African American spirituals through Harry Burleigh, a student at the National Conservatory of Music where Dvořák was a director. Burleigh introduced spirituals such as "Swing Low, Sweet Chariot" to Dvořák, which consequently influenced the themes in his symphony. The symphony, however, adds a romanticized twist to the Native American references, borrowing from European impressions of the New World influenced by works like Longfellow's poem "Hiawatha." Dvořák's influence on subsequent American composers was significant, as seen in the works of George Gershwin and Aaron Copland.

A German nun who painted the Book of Homilies in the 12th century  was the Nun Guda.

In the twelfth century, Guda, a nun, coloured. She was one of the initial women to illustrate a self-portrait in a manuscript, paving the way for later female medieval manuscript writers and illuminates.

In the Supplemental of St. Mark from the 12th century, Guda drew a self-portrait now in the Frankfurt am Main, Staatsbibliothek. Her self-portrait was put symbolically in St. John Chrysostom's ninth homily, a location appropriate for seeing Christ's Second Coming.

Thus, A German nun who painted the Book of Homilies in the 12th century

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Much of the remaining Egyptian art and architecture relates to religious and funerary practices, serving a spiritual purpose. Examples include the Great Pyramids, Karnak Temple, and the tombs in the Valley of the Kings.

Most of the surviving Egyptian art and architecture is associated with religious or funerary practices. Remarkable instances include the Great Pyramids of Giza, Karnak Temple, the Sphinx and the lavish tombs in the Valley of the Kings. These structures and artifacts were designed to honor gods or preserve the memory of royalty, fulfilling a religious or spiritual purpose. Thus, they reflect both the technical ability of ancient Egyptian civilization and their profound religious beliefs.

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The majority of surviving Egyptian art and architecture is associated with their religion and pharaohs. The pharaohs of the Middle Kingdom built huge temples dedicated to deities at Thebes, the Old Kingdom was known for stone pyramids, and the reign of Amenhotep III saw the construction of various monuments.

Most surviving Egyptian art and architecture is largely associated with their religious practices and royalty, mainly the pharaohs and their veneration of deities. For example, the pharaohs of the Middle Kingdom notably focused on constructing massive temples devoted to Amon-Re and his wife, the mother-goddess Mut, at Thebes. These temples, which now lie in ruin at Karnak in southern Egypt, were grand structures featuring immense halls, courtyards, and ceremonial gates.

Another notable period was the Old Kingdom, best known for its monumental stone pyramids, a testament to the power and sophistication of the pharaohs of that period. The Egyptian scribes documented their ideas and stories in stone inscriptions and tomb paintings, and also on papyrus, many records of which have survived thousands of years, providing historians valuable insights into the life and culture of ancient Egypt.

Even during the reign of Amenhotep III, numerous monuments were built to celebrate Egyptian greatness including temples for various gods, Amenhotep's own mortuary temple, and multiple statues of himself. These also included structures like the extravagant palace at Thebes and the large royal barge for religious events.

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Answer:

a

c

b

harpsichord

Any three of the following: birds, thunder and lightning, streams, rustling leaves, dogs barking

Explanation:

Final answer:

Limited knowledge of Pre-Columbian art arises from early European interventions altering Indigenous concepts, loss of original artworks, colonial documentations blending European and Indigenous styles, and academic focus on major cultures over others.

Explanation:

The limited knowledge of Pre-Columbian art in the Americas can be attributed to several factors. First, early contact with European explorers, missionaries, and settlers from the 1600s onwards changed Indigenous art concepts. These outsiders wrote about, sketched, and collected art, defining cultural characteristics arbitrarily, leading to a frozen perspective on the art history of pre-contact Native peoples. The destruction or loss of Indigenous codices and artworks during the colonial period further limited understanding of Pre-Columbian artistic expressions. Additionally, the post-conquest emphasis on documenting Indigenous cultures through European perspectives and mediums resulted in 'mixed' style codices, blending Indigenous and European influences but also obscuring the original context and meanings of Indigenous art. Lastly, the academic focus on well-known cultures has overshadowed the rich art history of other civilizations, further narrowing our understanding of Pre-Columbian art across the Americas.

Terracotta clay was used in the production of Nok sculpture. Terracotta clay was largely used to create the Nok sculpture, which was inspired by the ancient Nigerian Nok civilization.

The Nok civilization thrived between 500 BCE and 200 CE. The Nok people are renowned for their exceptional and unusual terracotta sculptures.

Locally produced terracotta clay, which the artisans would then shape and mold into the desired forms, was frequently utilized in Nok sculptures. The clay was then hardened and the sculptures were made more durable by being burnt in kilns or open fires.

The Nok terracotta clay sculpture is renowned for its expressiveness and naturalism. They are thought to have made significant contributions to the history of African art and offer insightful information about the creative and cultural accomplishments of prehistoric West Africa.

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Principles of kinematics and dynamics play a crucial role in creating kinetic sculptures. Considerations include the mass and velocity of the moving parts, energy conservation, and rotational kinematics. Knowledge of the laws of classical physics and their limitations are also important.

Creating kinetic sculptures involves careful consideration of some practical physical aspects. The primary considerations involve kinematics and dynamics, branches of physics that deal with the motion of objects and the forces that cause this motion, respectively.

Firstly you need to consider the mass and velocity of the moving parts in the sculpture because these determine the kinetic energy of the elements (K = (1/2)mv²). The mass and velocity of an object are essential considerations for creating balanced and smooth motion in kinetic sculptures. In addition to this, the principle of conservation of energy plays a crucial role. This principle helps in understanding how energy transformations occur within the sculpture, specifically how potential energy can convert into kinetic energy and vice versa.

Understanding rotational kinematics is also important especially if the sculpture involves rotation or spinning parts. These sculptures need to consider aspects of rotation like torque and angular momentum. Finally, understanding the laws of classical physics and their limitations are also essential. These laws need to be applicable to the size and speed of moving parts of the sculpture. For example, classical physics apply when the matter is moving at speeds less than about 1% of the speed of light, visible to  eye, and exposed to weak gravitational fields such as earth's gravity.

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Answer:

Valentiner was an art critic and historian. He collected Rembrandt paintings and some of these pieces were controversial as they were found not to be done by Rembrandt.

Explanation:

Wilhelm Valentiner was born in German. As mentioned before he was an art historian and art critic. He worked at the Friedrich and the Kunstgewerbemuseum, was a curator in the Metropolitan Museum in New York City and eventually became Director of the Detroit Museum of art.

He was responsible for conducting this Institution to be one of the leading art museums at the time. He acquired and exhibit many important art pieces and was the link between Ford financing Diego Rivera's series of murals painted in Detroit.

He was an important part for the development of the Los Angeles County Museum of Art and the J. Paul Getty Museum in Los Angeles.

He ended his career directing the North Carolina Museum of Art in Raleigh from 1955 to 1958. Throughout his work at the museums he was interested in forming expert curators and creating a collection that would serve as a resource for the community.

Being a great collector and expert on Rembrandt, he published several works like: "Rembrandt auf der Lateinschule" in 1906, as mentioned before, also "Rembrandt" in 1907, "Rembrandt: des Meisters Gemälde in 643 Abbildungen" in 1908, and  "Rembrandt: wiedergefundene Gemälde, 1910-1922, in 128 Abbildungen" in 1923.

He collected many of Rembrandt's art works throughout the years and under his position as Director in the North Carolina Museum of Art he recommended the acquisition of two particular paintings thought to be from Rembrandt at the moment.  Later on were discovered to belong to the creation of other artists. These of course created the controversy  mentioned in your question. These painting were reattributed to their legitimate creators.

Answer:

paracas

Explanation:

Answer is C covered the sound of noisy projectors. Answer in text book page 331.

Cylinder seal is correct

Answer:

God is everywhere

Explanation:

Along with Berlioz and Liszt, Richard Wagner was another important composer who created program music in the nineteenth century. He is known for his elaborate and story-driven orchestral works.

In addition to Hector Berlioz and Franz Liszt, another noteworthy composer who composed program music during the nineteenth century was Richard Wagner. Program music is a type of music that intends to evoke images or convey the impression of a specific narrative. Richard Wagner was known for his programmatic orchestral works, which often contained elaborate stories such as his famous 'Ring Cycle'. These composers greatly contributed to the development of Romantic music.

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Richard Strauss, Nikolai Rimsky-Korsakov, and Bedřich Smetana were important composers known for their program music in the nineteenth century.

Richard Strauss is another important composer who composed program music during the nineteenth century. He is known for his symphonic poems and operas, which often have a narrative or programmatic element. One example of his program music is the tone poem Also Sprach Zarathustra, which tells the story of the philosopher Zarathustra.

Other composers who dabbled in program music during this time include Nikolai Rimsky-Korsakov with his orchestral suite Scheherazade, which is based on the story of One Thousand and One Nights, and Bedřich Smetana with his symphonic cycle which portrays scenes from Czech history and legends.

So, in addition to Berlioz, Liszt, and Strauss, composers like Rimsky-Korsakov and Smetana also made significant contributions to program music during the nineteenth century.

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Monophony occurs when all instruments or voices play or sing the same melody together in unison, creating a single musical line without harmony or counterpoint.

Monophony occurs when all instruments play the same notes together, in unison. This musical texture is characterized by a single melodic line without harmonic support or accompanying melodies. It stands in contrast to polyphony, where two or more independent melodies are played simultaneously, adding richness and complexity to the musical piece. Monophony can be found in various musical traditions and is the simplest form of musical texture. An example of monophonic music could be a group of people singing a melody together without any harmony or accompaniment.

Strophic is a song form in which every verse ( strophe) of the text is sung to the same musical tune.

In a song with modified strophic form, some verses are sung to the same melody, while others aren't. Correct answer: D

the repeated sections of music have varied or elaborated forms from the basic theme. Example of modified strophic is Schubert's "Des Baches Wiegenlied,".

The answer is

Born Amy Marcy Chene

Born Amy Marcy Cheney was born on September 5, 1867, in Henniker, New Hampshire. She was the only child of Charles Abbor Cheney and Clara Imogene (Marcy) Cheney. She was the first American woman to write a symphony.